Short and sweet; This is a very pretty, lyrical, composition with mostly predictable melodic and harmonie progressions, but that is not necessarily a bad attribute. The tune is romantic/sentimental and although it shifts quite high up the fingerboard, the technical standard remains within the grasp of the Grade Four player (but watch out for the one unexpected moment in bar 28, where a sudden left hand large stretch is called for). It’s an attractive work one could easily slot into the student-concert or restaurant music category. -Steve Marsh (Classical Guitar Magazine)
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